Movie
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‘Thunderbolts*’ Review: Jake Schreier’s First Foray into the Big-Budget Studio Filmmaking Benefits From Florence Pugh-Led Team Dynamics
‘Thunderbolts*’ Review: Jake Schreier’s First Foray into the Big-Budget Studio Filmmaking Benefits…
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‘Havoc’ Review: Gareth Evans Soaks Up a Familiar Bullet-Ridden and Bloody Action Thriller
‘Havoc’ Review: Gareth Evans Soaks Up a Familiar Bullet-Ridden and Bloody Action…
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‘Warfare’ Review: A Fantastic Piece of Filmmaking that Deserves to be seen on the Biggest Screen
‘Warfare’ Review: A Fantastic Piece of Filmmaking that Deserves to be seen…
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‘Sinners’ Review: Ryan Coogler Explores the Oft-Seen Vampire Genre Inside Out with a Propulsive Mix of Character-Driven Historical Drama and Blues Music
‘Sinners’ Review: Ryan Coogler Explores the Oft-Seen Vampire Genre Inside Out with…
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‘L2: Empuraan’ Review: A Franchise Vehicle Leveraging Mohanlal’s Never-Ending Aura
‘L2: Empuraan’ Review: A Franchise Vehicle Leveraging Mohanlal’s Never-Ending Aura | Talking…
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‘Humans in the Loop’ Review: AI, Identity, and the Burden of Bias
‘Humans in the Loop’ Review: AI, Identity, and the Burden of Bias…
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‘The Electric State’ Review: The Russo Brothers’ Otherwise Technically Impressive Retro-Futuristic Sci-Fi Adventure Doesn’t Have Enough Power to Light Up the Excitement
‘The Electric State’ Review: The Russo Brothers’ Otherwise Technically Impressive Retro-Futuristic Sci-Fi…
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‘Mickey 17’ Review: The Otherwise Surface-Level Sci-Fi Satire Features an Entertainingly Dual Robert Pattinson
‘Mickey 17’ Review: The Otherwise Surface-Level Sci-Fi Satire Features an Entertainingly Dual…
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‘Baksho Bondi (Shadowbox)’ Review: A Beacon of Hope in a Callous World
‘Baksho Bondi (Shadowbox)’ Review: A Beacon of Hope in a Callous World…
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‘The Monkey’ Review: Osgood Perkins Goes Bananas Blending Extreme Gore and Violence with Pitch-Black Humor But Misses the Mark in Everything Else
‘The Monkey’ Review: Osgood Perkins Goes Bananas Blending Extreme Gore and Violence…
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